Joe Hill

At the library the other day I saw a copy of IDW's Locke & Key. For those of you who don't know, the book is written by Joe Hill and features artwork by Gabriel Rodriguez. It's the story of a family who survive a major tragedy and move to a relative's house that has some special characteristics. At Keyhouse, there are certain keys (if you can find them) that will open certain doorways that lead to other places and states of being. Within the grounds of Keyhouse exists an entity that wants these keys and uses its influence to achieve its goals. This is where most of the action and drama come into play.

In the introduction, there is some discussion on how the writer, Joe Hill, is a brilliant young novelist in the genre and everything he touches is golden. Well, seeing as I thought the first few issues of the comic reprinted in the collection were pretty good and not absolutely astonishing, I took these comments with a grain of salt.

A few days later I was shopping at Indigo! and I noticed a collection of Hill's short stories called 20th Century Ghosts. It was on sale for $7.99 and Christopher Golden (one of my favourite genre writers) spoke incredibly highly of him and the work in the introduction. I thought if everyone seemed to be praising everything Joe Hill does, I might as well try out this short story collection and see where that leads me.

Well, I'll tell you where that leads me. I am now a huge fan of the work of Joe Hill. This guy is everything they say about him. I have yet to read his full-length novel, Heart-Shaped Box, but these short stories are superb. His expert handling of the genre is a refreshing surprise considering so many of his contemporaries (literary and cinematic) go for the jugular and try to give you as extreme an experience as possible while sacrificing mood, and story. Hill knows what it means to build to something and make the reader an active participant in his storytelling.

Finishing Locke & Key I was treated to some of the same surprises that I had seen in his short story work. I assumed that L&K was going to trade on the nasty bits with lots of killing and abuse and cruelty, but that's just not the case. There's a mood to it, a quality that feeds off of the darker points but also shows a lot of humour and sensitivity and I'm really looking forward to seeing where this story goes. I have another storyline to catch up on ("Head Games") and then I'll be up to date.

Oh, and if you haven't read his short story "Pop Art" then you must go out and do so now. You really, really must.

Later!

mike

Reading The Unwritten

It kind of surprises me that I'm still engaged with Mike Carey and Peter Gross' new Vertigo series, The Unwritten. I wasn't overly impressed by the $1 first issue, finding it slow to get moving and somewhat predictable, and I was skeptical as to whether or not the metatextual premise of the series would be sustainable over a long run. In most of the interviews I've read Carey addresses, and diffuses, the obvious comparisons to Rowling's cash cow, but whether you were comparing it to Harry Potter, Tim Hunter or any other fictional boy wizard creation was irrelevant to me. I just felt like the similarities, period, would sink the general appeal of this book sooner than later.

Four issues in, though, and I'm still buying it, still reading it, and it looks like I'm going to be in for the long haul on this one.

What's keeping me intrigued so far is the fact that Carey hasn't fallen back on as many 'obvious' devices as I had expected him to. Going for the shock reveal that the reader expects has little appeal. If they revealed right out in the first issue that yes, Tommy Hunter was a fictional character brought to life by his creator or by some other means and raised as a real boy in our world, I would have been gone right then and there. Heck, I was dicey on whether that same reveal on periphery characters was going to be make or break for me. Carey seems to be trying to keep things ambiguous on that point, however, and the true origins of everyone are still shrouded in mystery 48 pages or so into the tale.

There have been some interesting thoughts that Carey has put to paper on the ideas of language and fiction, and I have a growing curiosity regarding the character of Mr. Pullman whose motives are unclear as anything else in the book. The artwork by Peter Gross is stellar, as always, and while the first story arc has reached a conclusion there is very little closure. What that means is that it reads like an ongoing serialized story and not a 'paced for the trade collection' that so many other books are.

I was genuinely excited when I saw the fourth issue on the racks today and eagerly snatched up the last copy my LCS had. It was a deliciously macabre issue (much like the last one) that I read as soon as I got home. I figure that's as good a sign as any that I'm on board for the first year at the very least. I'd be curious to hear what, if any, opinions anyone else has on this series to date.

Later!

mike

There is a CD, Burn, Burn, Burn

I've been in a bit of an Our Lady Peace mood and I decided to pick up their new album, Burn, Burn, Burn. I heard some good pre-release press and was interested in seeing where exactly the band had landed after several years of spinning their wheels and producing yawn-worthy power pop.

Well, I can't say as it is a terrible album, but they certainly haven't left their current comfort zone. The first single, "All You Did Was Save My Life", is catchy, driving, and gets under your skin after a few listens but, so far, none of the other songs on the album have managed to equal that. I like some of them just fine, but I will find myself humming the new track from time to time. It does require a few more sit downs and listens before I give it my final verdict, but I'm not holding out hope for it making its way into the same category as their first four efforts which defined their sound and writing so expertly that anything since has seemed trite.

One of my favourite songs from the band, and one of my all-time favourite videos, is a track called "Thief".



Later!

mike

Sort of SDCC Related

In 2000 I made a Comikaze trip down to San Diego with my buddy Karl. It was the first time I ever attended the con, and I was going under the auspices of doing some coverage for FEARS Magazine, a web publication that I was writing for that was run by a very cool cat named Ed Flynn. Almost on a whim (I think we decided the same day we left on the trip), Karl and I rented a car, loaded up our stuff and drove 33 odd hours from Saskatoon to San Diego (with a few stops in-between for sustenance and one stop in Vegas which was more curiosity than anything else).

I have a lot of fond memories of that con. I met Chris Carter whose shows I have been loving for the last 15 years or so, and even got to ask him a question on the X-Files/Lone Gunmen panel that made all the news sites by the time I got home (I asked him about Millennium, what the future holds for the series and was he truly happy with the 'closure' they gave the character of Frank Black in the New Year X-Files episode, "Millennium"). I met Will Eisner and got to shake his hand and thank him for all of his excellent work over the years, not to mention getting my Spirit Archives Volume 1 autographed. I did some great video interviews including one with Jill Thompson that I especially enjoyed. Nobody has ever seen the video outside of me (although the text for which has been transcribed and published) which I may remedy in the future. I had a chance to talk to Jose Ladronn and Sylvain Despretz (who, when I asked him for a sketch, wanted to clarify that I actually knew who he was since he wasn't really a comic book guy), met Walt Simonson, Sergio Aragones, Bob Burden, Brian Azzarello, Stan Sakai, and Mike Mignola. It was good times.

Outside of the con, Karl and I hung around with friends Kaare Andrews (who was living in town while doing work for Wildstorm), Trevor McCarthy (who taught me how to talk like a New Yorker should I ever find myself in the City), and a retailer out of Edmonton named Kelly (whose last name I shamefully forget). Karl played pool with Howard Simpson, we crashed the Wizard party, and closed the show down with an extra day in SD, spending most of it on the beach to recharge before making the epic trek back home.

At the con I managed to snag a sketch by Duncan Fegredo which remains one of my most prized possessions. Shade the Changing Man was an important series for me during the Peter Milligan run and Fegredo did some of the most amazing painted covers for that book. I loved them all. It was one of the things I looked forward to every month. So, I stood in line and when it was my turn I asked Duncan to either draw me one of two characters: one whose identity escapes me at the moment, and the other was a Mad, Mod, Poet God. He chose the latter and I was ever so happy he did.

I always intended on framing some of the sketches I acquired at SDCC and I never got around to it until tonight when I finally set it up and hung it on the wall. Jen has been pushing to finally start putting up some art or posters or pictures or something to beautify the homestead a bit, so we put up one of my favourite Moonshadow posters and the Shade image, so far. I've attached images of them (taken with my shitty phone, I know) below so you can get an idea of what I'm talking about.



So, yeah, I just wanted to share that little tidbit. I'll be framing my Usagi Yojimbo, Scary Godmother, Sylvain Despretz rendition of Maximus from Gladiator and a Mike Mignola Hellboy sketch as soon as I get some matte boards for the frames. Until then, I'll have to enjoy ol' Shade for a while, which shouldn't be hard because the image gives me a lotta joy.

Take care!

mike

Music Quest

Canadian rock band, Our Lady Peace, just released their new album and it got me buzzing around iTunes checking out some older OLP material that I, for some reason, do not own. Not even in one of those 'less-than-legal' ways, either.

While buzzing around I was reminded that Raine Maida, frontman for the band (and husband to Chantal Kreviazuk, for anyone who cares about that sort of thing), put out a solo album a couple of years ago (called The Hunters Lullaby) which I remember pretty much ignoring at the time it was released. In fact, he was even here playing at a local pub and I decided it wouldn't be worth my time to go see him without the whole OLP ensemble and anthemic rock music. I had yet to hear any of his solo material and just assumed I wouldn't care much for it. It is possible that someone might have told me he got all folky, or something.

So, looking at it in the online store I was also reminded that Jen had bought a song or two off of it and I remembered kind of liking the song she played for me. She just started playing it off of her laptop one afternoon and asked if I could guess who this artist was, which I did. "Who's This?", by the way, is a 'game' we 'lovingly' play in our household but the question is usually directed at Jen and not me.

Anyway, I got the title from her, downloaded it myself and I've been listening to it ever since. Here's the video I found for it off of the YouTube:



I'm just loving the song and I think the idea behind the video is kind of neat, too. Wandering around Toronto busking for War Child. Works for me. I do feel a little special needs for letting my snobbishness get in the way of discovering some cool new music, though. Everything in its time, I guess.

Well, I hope you enjoy the track as much as I do. I'm heading back into the iTunes store to search for more goodies. I found a Sloan song I didn't even know existed and some previously rare Chapterhouse stuff, so I'm kind of jazzed right now.

Take care!

mike

Happy Belated Birthday, Bob Burden!

I sort of missed this one a few days back but one of my very favourite funny book people, Bob Burden, just had a birthday and I wanted to give a proper Meanwhile... shout out to him. Anyone who has been buying/reading comics for the last few years should know about his wacky creation, the Flaming Carrot, and the crazy surrealist joy that his characters have brought to many a fan (this one included).

One of my favourite stories involving Bob came from an interview we did a few years back where he outlined what he would do if he was allowed to work on some Marvel heroes. This was a period where editor Axel Alonso was bringing in talent like Peter Milligan, Jim Mahfood, Mike Allred, and a number of names nobody could have predicted would work on a Marvel book. It had something to do with Iron Man and Dr. Doom, a beach and someone's vacation being ruined. It sounded like a winner in my book.

Anyway, Bob turned 57 on July 19th, so Happy Birthday, Bob!

Later!

mike

Who You Gonna Call?

First the game, now this. I'm in freakin' heaven these days!



I'll have some comments on the aforementioned game in the near(?) future as I am 3/4 of the way through as of this writing, and it's just too cool to not rave about it in a post sometime soon.

Until then, enjoy!

mike

Road Rage

There are few things that bother me like someone who is already breaking one or more traffic laws looking at you like you're an asshole if you're somehow making it difficult for them to break another.

This is why I want a rocket launcher mod to my Focus.

mike

Jon J Muth

I've been on a bit of a Muth kick of late (some of that has to do with the reasons why my mind has been blown, if you're curious) and I ran across these neat videos of Jon that I thought I would share...



...and this one is a bit of an EPK style promo discussing his latest Zen book...



That's all for now. Catch you later!

mike

I've Just Completely Blown My Mind

But I can't talk about why or how just yet.

mike

Clone Wars Decommissioned?

So, I'm on a bit of a Star Wars kick as a result of the tenth anniversary of the release of Episode I and I've been trying to get a look at the new Clone Wars: Decoded episodes and I've discovered that the show has disappeared from the airwaves. I'm not sure how long ago this happened, but neither CTV (who are supposed to have the broadcast rights) or our local Sci-Fi channel, Space: The Imagination Station, are showing it. I've searched the guide and there are plenty of Stargates, Star Treks and Starship Troopers, but, sadly, I must go without the Wars. In a desperate act, I even checked the more unconventional methods of acquiring shows that we do not get here, and it's not available in that format either.

I'm pretty sure I'm going to have to wait for the DVD release on this one.

Later.

mike

Human Target

I apologize again for not being very frequent with the posting, but you know how it is. I did want to pop on and mention that there are some promo videos for the new Human Target series that will be debuting next January on Fox. I remember watching the original Rick Springfield version of the show from 15+ years back, although I had forgotten that it was developed by Bilson and DeMeo, known for their much admired Flash series on CBS. That series lasted all of seven episodes, I think, and disappeared. You can't even find Torrents of those online, although I did manage to find a video on YouTube which I'll post below.



And the old one...



I'm honestly surprised that it took so long to get this concept back on the small screen. Saddened as I am that Terminator will not be returning next year, I'll be looking forward to seeing some Human Target action.

Later!

mike

Wars, Trek...What's the Difference?

I'd heard that Abrams tried to Star Wars up the new Trek film, but I never realized quite how much until I saw this video...

See more funny videos and funny pictures at CollegeHumor.

Cheers!

mike

Munro

For lack of something better and mine, here's something brilliant and someone else's.



Cheers!

mike

Happy Belated Birthday, Jean Giraud!

Jean 'Moebius' Giraud turned 71 years young on May 8th. I've loved this guys work for so many years and do not have nearly enough of it in my collection. I'll have to remedy that sometime soon.

Raise a glass for Jean.

Cheers!

mike

Comics Cavalcade

I had my first trip to a comic store yesterday in a while (not counting FCBD) and I am pretty excited about reading some new books this week. I doubt I'll have a review ready for Sunday, though, seeing as I work tomorrow, I'm on call today for this project I'm working on with Jen for her work, and I have a sickly daughter home with the flu. Still, the fact that I made to to my LCS at all this week is a triumph for me and I'm looking forward to reading both Angel and Angel: Blood and Trenches, Hellblazer, Agents of Atlas and Cerebus Archives.

Cheers!

mike

Two Things

Over the last few days, I've only experienced or been a part of two things that are worth mentioning: Free Comic Book Day and the second season finale to Terminator: The Sarah Connor Chronicles.

I've been taking my kids along with me to Free Comic Book Day since they were just wee ones, but starting a couple of years ago, they became more involved in the process. Going was no longer just for me to get my stash and they get a free comic book or two, they want their own stashes now and are willing to put out to get it.

We have two stores in town that we frequent. One of them, Eighth Street Books and Comics, gives out one comic book to each person who shows up. The other, Amazing Stories, gives you every free comic book if you spend $5 at their store. As a result, our routine has been to hit Amazing Stories first and get one of everything, then hit 8th Street for anything we might have missed.

I was really impressed to see Kate and Simon spending $5 and grabbing a whole stackload of comics this year (Emma didn't have $5, but grabbed a copy of Love and Capes). They had some trouble finding anything to spend $5 on, but once that hurdle was overcome, they did just fine. It was also nice to see them devour the ones they expected to enjoy, then read some that they knew nothing about and really enjoy those, as well. Simon basically wanted the Wolverine and Sonic books but came away wanting to read more Sardine. I consider that a plus. Kate and Emma are also converts to Love and Capes, now, and I think Emma spent an hour or more reading the free L&C content on the web just to fill her craving. We'll probably hunt down back issues or collections in the near future.

As for Terminator: The Sarah Connor Chronicles, I finally watched the last three episodes of season 2 and they were some of the best of the series. Actually, I'd go so far as to say the last 5 episodes of that season were what I would show to any Doubting Thomas' who have been poo-pooing the show for the last two seasons. It's a crying shame that they won't be able to continue from where they left off, but if they had to end it where they did, I'm satisfied with that. All the characters storylines were addressed, secrets were revealed, homages to the films were made, we got to see some of Cameron's endo-skeleton and someone FINALLY says the word "Terminator"! 31 episodes of the series so far and I don't think Terminator is said once until the last 10 minutes of ep. 31.

An early complaint of mine for the show was that it lacked some signature Terminator things to really feel like the audience (meaning me) was watching James Cameron's world (or a reasonable hand-drawn facsimile). Not seeing enough of the Terminator itself was one, but I understood the budget constraints of a television program. Not hearing the aforementioned word, Terminator, bugged the shit out of me, and that was probably some kind of licensing thing with the owners of the property since it has been licensed to different people over the years (I'll bet the movie guys get to say it all the time). The music irked me because I knew Bear McCreary was a brilliant composer, but without any Brad Fiedel call-outs, it just isn't Terminator. I heard that was a rights issue and it looked like they ironed some of that out because the music rocked in season 2.

And by the end of it, I loved it. From top to bottom it was/is one of my favourite shows on television and I'm sad to hear that it likely will not be coming back. I will mourn it, I will buy the DVDs when it comes out, I may even go to see the Christian Bale movie but I've invested enough time and energy into these actors and characters that it won't be the same.

So raise a glass to Terminator: TSCC. We knew you for so short a time, but all good things must come to an end, I guess.

Cheers!

mike

Much More Music

A friend had me comparing Bill Withers' "Use Me" with a Fiona Apple version and it got me surfing YouTube which led to some Beatles music and a few covers. I was most impressed with this version of "Sgt. Pepper's Lonely Hearts Club Band [Reprise]" by the Stereophonics and I thought I would post it here in lieu of any real content.



That's one of the best Beatles covers I've heard since this one...



Cheers!

mike

The Night Starts Here

I'm not sure if this video really fits the song, but I applaud and support Stars in all their endeavours, so...



Regardless of how weak the video may be, the song still rocks.

Later!

mike

Re-reading Old Copies of The New Mutants

Digging through some longboxes I ran across the handful of issues in my collection of The New Mutants. I sold of the bulk of the series that I owned to a local comic shop back when the Liefeld issues were still considered blisteringly hot and bought a serious crapload of other books in their place. I've never regretted the decision since so many holes in other collections were plugged as a result, and a great number of new comics were discovered.

Actually, I take back that no regrets comment, because I do regret never quite finishing up my Epic Akira set when I had the chance and the trade credit to do so.

But I digress.

The issues I was looking at were the later ones, somewhere in the high 60s, written by Louise Simonson and the art would have been by Bret Blevins, a penciller I learned to appreciate much later in life. There was also an issue in there (#62, I believe) by the inimitable Jon J Muth. A book which I now treasure more than I did when I was younger and was not such a fan of his work.

Looking at them all again, it reminded me that, while I was often intrigued by the characters and the whole younger X-Men deal, I never really read the book regularly, and never really got to know the characters very well. I certainly was not there in the beginning. I only started paying any real attention to them when Sienkewicz came on as artist, and only collected them on a monthly basis while Guice was doing the art and inked by Kyle Baker. I wavered again for the next 3 or 4 years of the book and picked it up again with #86, which had Rusty on the cover being attacked by the vulture. The first Liefeld cover.

Since the first series only ran 100 issues, I figured it couldn't hurt to take a trip down memory lane and read them all over again, for the first time.

So far, it feels like Claremont is trying much too hard to be young and relevant, and out of the 4 issues and the graphic novel that I have read so far, he has managed three stories that reek of cliché; the origin story, the teen horror flick and a child abuse story. It's also taking some getting used to reading the Claremont style, with just about every panel describing the character, their powers and their motivations in captions, followed by action scenes which he also describes in word or thought balloons.

Bob McLeod's art is serviceable, but nothing spectacular. It's interesting to look back on, but when you consider the work being done 20 issues after these still hold up as striking and contemporary (from a strictly visual standpoint), I can't get too excited by Bob's work, here.

Anyway, I just thought I would post about it. I'll probably post again when I hit those Sienkewicz issues, or possibly even the Leialoha issues in the teens. We'll see.

Cheers!

mike

Clone Wars Review With Dave Filoni

While surfing the Star Wars site I ran across this interview with director, Dave Filoni. I've read a number of interviews regarding the show, and seen a few featurettes on the DVD and online, but this was one of the more informative pieces on season 1 I've seen in a while.

Now, if only someone could get an answer as to why Ahmed Best is no longer voicing Jar Jar, I would be a happy Clone Wars fan.

Cheers!

mike

This Post Is Mostly Filler

There's a bunch going on right now so I'm kind of lackluster in the posting department, but I didn't want to lag too far behind so I figured I would post this video I found after I finished reading Cerebus a little while ago. Once I closed the final page on #300 (which I intended to post about but, as usual, have yet to do so) I immediately went scouring around for commentary and extras online. I also dug up my Following Cerebus issues and started reading those through for the first time (I was holding off until I completed Dave's magnum opus).

Anyway, these guys have put together (or are in the process of putting together) an animated Cerebus film or short and it's mildly interesting to watch. A little strange, though, since the Cerebus depicted is from the earlier issues in the run.



Hopefully I'll have something more significant for next time.

Cheers!

mike

They Say a Picture is Worth a Thousand Words

What can I say, I'm speechless. A friend sent me a link to The Best Page in the Universe and when I saw this image...well, it speaks for itself, I think.

mike

Sweet Georgia Brown

Just got back from seeing the Harlem Globetrotters with my son and his buddy from school. It was a belated birthday present, and I have to say it's a bit of a treat to see two 8-year old boys going nuts over the antics of the team, and actually cheering and booing when each team scores points. They were jumping and hooting and hollering like proper hooligans. It was a sight to see.

We got home and my daughter Kate asked who won? Oddly enough, Simon answered that someone from the fan club won (I have some ideas on what that might have meant) before being prompted to answer 'the whole team". Jen and I just smirked. Who won indeed.

Anyway, it was a bunch of fun and we got Flight Time's autograph on a Jersey my brother bought for his nephew. Simon and his buddy also each got the official Spalding basketballs which set me back a pretty penny, but they were so excited, I couldn't say no.

It was also nice to get out of the house for a while after all this editing work that I've been doing. Tons of work. Loads of hassles. My brain can only be melted down so many times before it becomes inert. I happen to need this brain.

Ah well, I'm going to go read some Nexus, maybe come up with some questions for an interview I'm working on with IDW and go to bed. More stupid editing work tomorrow. Yay for me!

Later!

mike

Nothing About The Spirit Feels Safe Anymore

I will qualify first that I have yet to read the current Spirit storyline written by Michael Uslan, but flipping through the latest issue I noticed the character of Lorelai Rox, The Octopus, Ellen applying for and being accepted into medical school, and that's where I had to close the book and put it down. For those of you who don't know (or aren't paying attention), those elements and/or characters that I just mentioned were all used in the recent flop of a movie that was based on Eisner's strip of the same name which, I might add, Uslan was a producer on. Is he trying to bring the two continuities together? Is he trying to engender some love from us die-hard Spirit fans thinking this may drive us out to buy the DVD? Is DC lost and scrambling for things to do with this character and title? Is this going to be as disappointing and un-Spirit like as I'm thinking it might be?

Likely the book is just adopting a Legends of the Dark Knight anthology style to it since Evanier and Aragones appear to have left the building. Dean Motter and Paul Rivoche are on deck with the next story and Michael Avon Oeming takes a crack at Denny Colt in #30 at which point the solicitations on the DC site end. Could be a sign that the series is on its last legs as it tries to find a direction, but 30 issues is about 26 longer than I ever gave it credit for lasting over at DC, so whether it continues or ends, we had a good run.

Comments are welcome, as always.

Cheers!

mike

Bless You You Tube

I haven't seen this video or heard this song in years-probably 16, if I'm doing the math correctly. The first time I heard it was in high-school when my brother saw it on MuchMusic one day and bought the 45rpm. He played it for me and I thought it was absolutely hilarious at the time, especially a couple of the gags related to the Beastie Boys. "No sleep 'til bedtime!" That's comedy gold.

Anyway, I later lent the only copy we had to my friend Doug, which he never returned, for whatever reason. I've often thought about it and it's a song nobody else seems to know anything about. Anytime I've mentioned Morris Minor and the Majors, people tend to think I'm crazy. I had even done an extensive Internet and YouTube search in the past and came up with nothing. Then tonight...



It seems so much less amazing now than it did then. Still, I'm thrilled that I ran across this little gem from my younger years. Now, if only I could find the B-side. I think it was called "Boring" or something like that. It's not likely I will unless Doug magically appears out of the ether and hands the thing back to me. Last I checked, he was living in the States with his family, so I'm thinking not so much with that happening.

Later!

mike

Happy Easter!

mike

And on the Sixth Day, He Posted...

Wow. So much for the every day, or nearly every day, posting that I've been trying to stick to since February. I haven't had a six day gap in some time, so I figured a little explanation was in order.

Essentially, work has sort of taken over much of my blogging time. I'm still working part-time at the Co-op but I've also picked up this editing job and it's a bit of a monster of a job. Jen and I are doing it together and we were originally going to divide up the labour between me handling the InDesign stuff and her handling the copy editing, but it's taken me longer to grasp InDesign than I'm comfortable admitting and she hasn't had enough time to really tackle the text because it was supposed to be a photo-ready copy but more or less came to us as a first draft.

So, a lot of work on both ends but we're pushing through and finding our stride. We called the guy we are doing it for and deadlines got adjusted and a plan of action was made, so everything should be shiny from here on in. There is still a lot of work to be done in the next few days (my cute way of saying I may not blog again between now and when the book is done) but we can see the light at the end of the tunnel, which is good.

On the non-editing/work front, I've been reading comics every chance I get (I hit my Nexus milestone last week and finally completed the Angel: After the Fall run), listening to a crap load of music and, on breaks, Jen and I have continued watching True Blood which never stops being strangely compelling. If you've never tried the show out, it gets a big thumbs-up from the Jozic household.

Later on in the week I'm taking the boy to see the Harlem Globetrotters for his birthday, and Mother Mother is in town at the end of the week so there may be a post or two about that.

Until then...

mike

Wilder on DVD

For a few years now I have been building my Billy Wilder collection on DVD. I think it started in earnest when I watched Almost Famous for the first time and discovered how much of a fan of Wilder Cameron Crowe was. Almost Famous led me to The Apartment (which was pure cinematic brilliance), and that led to Sunset Boulevard, Stalag 17, The Front Page, Some Like it Hot, Irma la Douce and the list goes on.

Today I was at a local discount store picking up some things when I ran across The Private Life of Sherlock Holmes. I had never heard of this movie before, and I was a little surprised to see Wilder and I.A.L. Diamond's names on it. For $6.88 I couldn't say no and I bought it without hesitation.

After bringing it home, I did an internet search to see where exactly it falls in the Wilder canon. I also do the instant search with an unfamiliar DVD because of the off chance that there may be a special edition or some other version which may be preferable to the copy I just purchased. It's happened a few times where I've discovered that I had bought the 'wrong' version.

Anyway, all the reviews seem to speak well of it and this is currently the only version MGM has out there (with the exception of the Laserdisc which has some minor differences that the collector in me has to bite my tongue over) and I look forward to cracking this one open and giving it a watch. I'll come back on and post about it after, maybe give some thoughts on the film.

Cheers!

mike

"They're Apes! They can speak!"

I was just reading the second issue of Jonny Quest Classics released by Comico about 20 years ago, and in the back was an interview with Doug Wildey where mention was made to the Return to the Planet of the Apes animated series that he worked on. As a big fan of JQ and Doug Wildey, and a so-so fan of the PotA film series, I figured I would explore a little further and see how RttPotA compared to the incomparable Jonny Quest series from the '60s.

Well, there are some shows that are made with no money, and then there are shows made with no money. Return is one of the latter. The limited animation here is one of the more striking elements of the show. Not an entirely uncommon thing for the time, but the repetitive uses of scenes and camera movement to simulate action and drama really stand out and bring attention to the lack of any real budget for the series. Design-wise, the show does all right. It does have some interesting deviations from the film series - such as the classical architecture the apes are using as opposed to the more natural structures from the movies - and Wildey's influence is definitely felt throughout. The human characters have a definite Hanna-Barbara look to them and many of the backgrounds look like they could have been painted for a post-apocalyptic Quest episode. Still, it is slow moving (at least in the first episode) and doesn't grab the attention too firmly. I'll keep slogging through for another episode or two, but I'm not holding out hope for any real improvement.

It is kind of disappointing to see the show does not hold up too well, but then Wildey also worked on the animated Mr. T series in the '80s, so I don't always expect greatness from the guy.

Anyway, here's a YouTube version of the pilot episode (Part 1 of 3):



Later!

mike

Great Finales

In honour of the end of Battlestar Galactica, BlogCritics has a list of great TV series finales and I must say I was happy to see that Angel made their number two. The ending of that series was always bittersweet since a season six was possible, but for an ending to five years of stories, you couldn't have done much better than "Never Fade Away". I'm even happier yet that it beat out Buffy's finale as I've always believed Angel was the superior show. So many people give the parent show all the props, it's nice to see some recognition going in the other direction for a change.

Oh, and as for what I thought of the Galactica finale? Just about perfect television.

More on that later.

mike

Wolverine Leaked

So, as everyone probably knows by now, 20th Century Fox's upcoming tentpole movie, X-Men Origins: Wolverine, was leaked onto the internet. Everyone and their dog has downloaded it, watched it and the reviews have been making their way through the blogosphere like wildfire. Some are positive, many are negative, and Fox officials assure us that if this version of the movie sucks, it's because it's not the right one. "No, really, there is a better version," the one that wasn't leaked and will be what fans can look forward to on May 1st.

I've kind of been letting this soak in for the last couple of days and my thoughts and feelings are varied. On the one hand, I feel bad for Fox to have the wind taken out of their sails like that. Even if the blog critics were raving about this movie, there is always that contingent of the audience who would be happy with 'screwing the man' and watching it for free on their computer rather than having the full-on theatre experience. With the more negative reviews, they are potentially losing much of that first weekend revenue that is so important to their bottom line. Sure, a bad movie is a bad movie, but if those investors don't make back any of their money on a big project like this, eventually they get gun shy when someone comes up to them and says, "hey, I have this idea for a movie..."

Then there is the small corner of my brain that wonders if this was really an accidental security slip. I mean, Fox has been having a really rough time of late and they need a big success to get them back in the game. I know with only a month to go before release, it is highly unlikely, but what if Fox was to leak the movie, tells everyone that it is not a completed version, gets a whole bunch of responses from the blogosphere and goes back in and reworks things according to fan reaction. There's not enough time for reshoots by this point, so I know I'm just spouting off, but stranger things have happened. At least, I think they have.

Later!

mike

Andy Hallet 1976-2009

My friend Carly called me today to inform me that actor Andy Hallet had passed away from complications relating to his heart condition. I'm a little floored by this, mostly because Andy was still very young. Younger than me, in fact, which is also a little bracing considering the 'died too young' crowd has always been older than me, even by a few years. I never thought much of his singing (something that he is primarily known for) but I thought he was an incredible dramatic and comedic actor. His role of Lorne on Angel gave him just about every kind of line of dialogue in just about every kind of genre of storytelling and through it all his performances were always entertaining, up to the challenge, and often touching.

One of my favourite scenes on television is Lorne's last few moments on Angel. The gravity that he brought to that was just astonishing. Even with all the death, heroics and last stand emotions running throughout that episode, I always remember Lorne doing 'his part' for the team and telling Angel that after he completes his task, he's done. They are never to come looking to him for help again. Just great, powerful stuff.

So, if you're out there and you're a fan, raise a glass in Andy's honour. He will be missed.

Cheers!

mike

The Comic Haul - 03/25/09

And here we are with another installment of the getting more regular, The Comic Haul, where I, your intrepid blogging host, review some of the weeks comics for your perusal:



INDIANA JONES AND THE TOMB OF THE GODS #4 is my big pick for the week, and not just because I'm a huge Indy fan. Rob Williams continues writing an excellent Indy adventure, bringing the quest for the mysterious Temple to an end, and his characters always remain true to their cinematic counterparts (something some licensed books have trouble maintaining). The artwork of Bart Sears was an early concern but he has really distinguished himself on this book. His style is very detailed, tonally appropriate and he handled the few action scenes really well. A bit of a departure from the very slick look he had some years ago and I think I prefer his work that way. At times this issue was a bit Lovecraftian for my tastes, but it was never overpowering and it did bring a distinctly fresh flavour to the story. Something that Indy has never really faced before. Overall I liked this mini-series very much and I really hope Dark Horse try another one or two before giving up on the license completely.

BATTLESTAR GALACTICA: CYLON WAR #3 didn't exactly fill the BSG sized hole I've had in me since the series finale aired. To be honest, it didn't even hold up to the 12 issue BSG run that Greg Pak wrote a few years ago, and I would argue that Pak was darn close to capturing the essence of the show but just missed it by a hair. Essentially Cylon War tells the story of how the Cylon War began, and as we enter this third part of the journey, we find ourselves in the middle of a civil war in the colonies. Sagittaron and Caprica seem to be at odds and there are other, more mechanical, personalities that are keeping an eye on the proceedings. At the flashpoint of the war, the machines decide to attack, uniting the colonies against a common foe. Not a bad idea, per se, but the execution felt a little week, the characters a little thin, and the artwork by Nigel Raynor doesn't hold a candle to the dynamic stuff he was doing for Pak back in the day. It may be because it was shot off of Raynor's pencils, or maybe he's just off his game. Either way, this issue was not working for me.

NOVA #23 was a bit of a disappointment considering how much I have been enjoying Abnett and Lanning's Guardians of the Galaxy. It had its moments, particularly an exchange between Rich Rider and a Dr. Necker near the end of the book where she was trying to help him with his condition (dying) despite leaving H.A.M.M.E.R. Some of the Quasar bits were nice and the ending piqued my curiosity, but nothing like how GotG grabbed me when I read one issue. Maybe it's just that I've never really cared for the Nova character. The artwork by Andrea Divito was decent, though. I may check in with the book again, but for now it's on the not bother to buy list.

STAR TREK: MISSION'S END #1 is yet another Trek book out of IDW, but this one stands apart by virtue of having been written by Ty Templeton. He makes a decent showing of it, spotlighting the early Enterprise crew we see in the episode "Where No Man Has Gone Before", which was kind of fun. I'm not sure if I'm totally engaged in the story, though. A race of spider-like creatures who are now warp capable get a visit from the Federation and what the crew discovers is that these creatures may be more dangerous than anyone had anticipated. Lots of walking and talking, which is fine, but the build-up is slow and the art not entirely electrifying. Still, I'll probably hang in for another issue, partly for the novelty and partly because of my curiosity.

SUPERMAN #686 was slow but decent. Not as enjoyable as the work these guys were doing with Superman as the lead, but I'm holding out hope that Mon-El will distinguish himself given some time. I've been a fan of the character since Giffen and the Bierbaums dealt with him in Legion and I'm hoping that this really secures a place for him in the current DCU. Not much happens in the story beyond Mon getting a haircut, but we'll see how things progress over the next couple of issues before making any permanent judgments one way or the other.

And that was the Comic Haul for this week. Comments are always welcome so feel free to throw in your two cents worth.

Until next week, take care.

mike

Awwww, Yeah

I won't be playing this on the Wii, but I'm giddy as a schoolboy waiting on this game to land.



Later!

mike

Hitting the Threshold

I've just finished watching a marathon run of CBS' cancelled drama, Threshold. It was part of a wave of sci-fi/alien invasion shows that were popping up like wildfire at the time and one that I initially wrote off. I guess when I looked at Invasion, Threshold and Surface, I did the ol', "meh, just some more X-Files wannabes". The irony is that I have since gone back and I actually find redeeming qualities to all of these shows, now.

Threshold told the story of a a team of scientists who are trying to stall an alien invasion. Through their advanced technology, this unknown race is terraforming and bioforming us to be more like them. It was created by ex-Trek writer/producer, Brannon Braga, and is executive produced by Blade writer, David S. Goyer. Normally I would stay away from any show that had Braga attached to it post-Trek, but Goyer's influence is definitely felt, and I have to believe that Rick Berman had a lot to do with how badly things went for Roddenberry's franchise.

Anyway, it plays on the whole body snatcher style of thrills and you hear the "one of us" phrase a few times but, overall, I found the characters in the show to be worth investing some time in. Carla Gugino is believable as an analyst who deals in worst case scenarios, and Charles S. Dutton as her boss is just great to watch. I've loved Charles since I first saw him in Alien3 and he raises the bar to anything he is attached to. Of note is the character of Dr. Fenway who is played by Brent Spiner. I always wondered if he would be able to shake Data and do something dramatic without the android being upfront in everyone's mind. I gotta say, he pulls it off. I really enjoy watching him do his thing. Certain behaviours are familiar but he's doing a whole new character here and it works.

The show ran 13 episodes before being cancelled and with the exception of the pilot (which tried a little too hard to make an impression quickly by playing off every cliché known to the genre) I enjoyed every last one of them. It didn't end with a cliffhanger like some retired shows, but there were a few major plot points that were revealed right at the end that we'll never know the answer to. Some niggling things that I would like some resolution to. Alas, it will never happen.

Maybe I should try interviewing one of the show runners some day and ask where it was all going.

So, there you have it. Try the show if you haven't and you have a chance. Forgive the pilot its transgressions and, at the very least, wait around for the episode where Gugino is running around the Threshold headquarters in a turtleneck sweater before pulling the plug on this one.

Cheers!

mike

Interview Spree

I've been listening to a lot of interviews lately, mostly through iTunes and the various podcasts I've browsed and downloaded through there. I'm not entirely sure what that might say about me or my state of mind lately but, by and large, the interviews I seem to be focused on are primarily with screenwriters talking about current projects, doing a career overview or just talking about the industry as a whole. The Creative Screenwriting podcast, hosted by Jeff Goldsmith, has brought me some chuckles. Personalities under the spotlight there include recent Watchmen writers David Hayter and Alex Tse, Richard Kelly and the hilariously fun Luc Besson. The Zicree-Simkins podcast features the likes of Barbara Nance (script supervisor on The X-Files and a writer in her own right), Battlestar Galactica's Michael Nankin, Robert Hewitt Wolfe (of Star Trek: Deep Space Nine and Andromeda fame, and Rockne Farscape O'Bannon.

I listen to them mostly while I'm working at the computer. Usually I have music playing but, from time to time, it gets really distracting so I switch to the much quieter interview material. It's a nice change from the music when I grow tired of it.

Anyway, I don't really have anything other than that to say, sad as that may be. I'll try and pep it up for next time.

Cheers!

mike

The Comic Haul - 03/18/09

And here we are with another installment of the getting more regular, The Comic Haul, where I, your intrepid blogging host, review some of the weeks comics for your perusal:



JOHN CONSTANTINE: HELLBLAZER #253 was a pretty enjoyable read and a decent first effort by new writer, Peter Milligan. I've been a fan of Milligan's since his days back on Shade the Changing Man and was happy to hear that he would be replacing Andy Diggle as regular series writer. Diggle brought me back into the fold and with his departure I questioned whether or not I would continue on with the book. Milligan was the perfect name to keep me around for the long haul. I will say that the story of intelligent, and somewhat malicious, biological material (in this case a scab) rings kind of familiar (see latter issues of the aforementioned Shade) but Milligan manages to spin it well, and the addition of John's new girl, Phoebe, gives the whole story a nice little twist. I'm not entirely sold on the artwork of Giuseppe Camuncoli, but given some time I think he'll settle in just fine. Oh yeah, there's also a fine cover by regular cover artist, Lee Bermejo.

GROOM LAKE #1 is a book I knew nothing about until I read last week's Angel: Blood & Trenches. There was an ad in back that showed the cover image and listed the creative team, and my curiosity was piqued. As an X-Files fan from way back, how could I not think of that great episode, 'José Chung's From Outer Space" with the smoking alien and the "this is not happening" mantra? Unfortunately, Groom Lake doesn't really live up to that level of fun and sophistication. To be honest, it's not even fun and stupid. Chris Ryall riffs on Men in Black, X-Files, and every other space-horror-comedy that has come down the pike in the last 10 or 15 years to cobble this one together. Heck, even Ben Templesmith can't save this one. Skip it if it's an option.

THE X-FILES #5 has yet another creative team taking the reins where Frank Spotnitz and Marv Wolfman left off. This time around Scully and Mulder must deal with mysterious underground "demons" in a story that is a bit of a stretch, tonally, for The X-Files. There appears to be a serial killer on the loose who claims to be driven by 'demons' who live in an underworld that is analogous to hell. The police don't have enough information out of the suspect and they ask for a "Spooky perspective", inviting Fox and Dana to check on their guy. They get embroiled in something greater than anyone expected and judging by the cliffhanger ending, there be demons afoot. Either that, or Daphne, Fred and Velma are going to pop out soon and pull the masks off the ghoulies and reveal how the crime was done. In all fairness, Doug Moench does a decent job with the material, it just doesn't feel quite X-Filesey enough. It takes a special hand to get it right. So far, Stefan Petrucha and John Rozum, with an honourable mention for Marv Wolfman last issue, are the closest the comic world has come to finding writers that can do this material and make it feel like the television show. Next issue's the last so we'll see if the series goes out on a whimper or a bang.

SUPERGIRL #39 continues the "Who is Superwoman?" storyline that has been running post New Krypton, and remains one of my top of the pile reads every month. I never expected to be picking up a Supergirl book. I collected it briefly when Peter David was the writer back in the day, but this new Loeb-introduced Supergirl was never my thing and I avoided her like the plague. Enter Sterling Gates and Jamal Igle who do such a wonderful job of creating a character and a world that feels very real to me month after month. Watching Kara deal with her mother's disapproval, the continuing feelings of loss for her father, the trouble she's having being torn between two worlds (New Krypton, where her biological family is, and Earth, her adopted homeworld) and the mystery of this Superwoman character that is causing all sorts of trouble for her are totally engaging to me. This is the level of drama I like to see in a continuing monthly super-hero series. It's just a combination of good writing and great artwork. Grab a copy if you have a chance.

AMAZING SPIDER-MAN #588 was a book I planned to buy but didn't. Marvel raised the price on the book to $3.99 so I had to opt out of the last issue in the "Character Assassination" stoy. For what it's worth, JR, Jr.'s art looks sharp as ever but I'm just not buying any books that were essentially an impulse purchase that have gone up in price. I can put those dollars towards continuing to buy the 'must-have' stuff.

MYSTERIUS THE UNFATHOMABLE #3 continues to build on the larger story that writer Jeff Parker introduced with the seance in issue 1. Sub-plots continue to develop and become intertwined with the main story wherein Mysterius discovers that a series of rhyming Seussian children's books are actually designed as spell for people to unintentionally code-chant in order to unleash Hell on Earth. Fun stuff. You can practically feel the surprise and irritation Mysterius must be experiencing as he deals with elements beyond his control thanks to Parker's great dialogue and the beautifully comic artwork of Tom Fowler. Every time I see him trying to 'help' a person deal with the supernatural, I imagine it must be not entirely dissimilar to explaining e-mail attachments to my mother. It usually ends with my hand on my forehead and an accompanying slapping sound. So, if you haven't picked up on it yet, this is great stuff. Mysterius is one of those 'give me something new and different' books you always hear people asking for, so give it a try if you haven't already.

And that was the Comic Haul for this week. Comments are always welcome so feel free to throw in your two cents worth.

Until next week, take care.

mike

Tubular Bells

I'm listening to a copy of Mike Oldfield's Tubular Bells 2003 and I've hit that part where the MC announces all the instruments as they are introduced into the song. The track is called "Finale" and is one I generally enjoy. Originally it was done by Vivian Stanshall, and was later redone on Tubular Bells II by Alan Rickman. This 30th anniversary release features John Cleese who pretty much ruins it for me when he chimes in with his unmistakable enunciation. Rather than just enjoying the music for the music's sake, I feel like Oldfield is playing in a cheese shop, or something, and Cleese is there in all his Pythonesque glory.

I suppose the nice thing about this particular piece is that there are several versions of it out there over the years (all by Oldfield) and I can go back to TBII or the original whenever I want and just ignore this one.

Cheers!

mike

Happy St. Patrick's Day!

The Comic Haul - 03/11/09

And here we are with another installment of the increasingly irregular, The Comic Haul, where I, your intrepid blogging host, review some of the weeks comics for your perusal:





THE LIFE AND TIMES OF SAVIOR 28 #1 is my pick for the week. A lot of folks have tried to do a book like this in recent years. They create a Superman analogue or other Golden or Silver Age hero, take him throughout history and show the effects his presence would have politically and on us as a society. I was a little concerned when I heard about this series because of the fact that this idea keeps getting rehashed in one way or another and I wondered why DeMatteis (someone I consider one of the best writers in the field) wanted to explore that idea. After reading Savior 28, I'm glad he did. This is really great stuff. The characters were interesting, the pondering of an alternate comic book history was kept to a minimum, and the pacing of the issue was razor sharp. Good dialogue, good art, great story, what else is there to ask for? I am really looking forward to what DeMatteis gives us next issue.

ANGEL: BLOOD & TRENCHES #1 wasn't perfect and certainly had its problems, but if Dark Horse had been trying stuff like this when they had the license, I think they would still have the Angel license. John Byrne comes in from out of nowhere and gives us a WWI Angel tale that is a fun take on the character and different enough from what is currently going on with the regular series to really stand out. Byrne's art is all pencil work here and he proves that, while he may not be the brightest light in comics any longer, he still has the art chops to knock one out of the park. Everything from the lush background details to the spot-on likeness of David Boreanaz go a long way to making this one of the best looking Angel stories I have ever seen. Story-wise, Byrne doesn't give us anything miraculous but it is a solid effort and he throws in enough detail to show that he was either a fan of the show or he did his research before taking this on. It's definitely worth checking out.

GREEN LANTERN CORPS #34 has some very dramatic moments and is clearly building towards something, but my lack of interest in the Lantern universe is working against me, here. The owner of my LCS told me that Green Lantern stuff was just rocking these days and I should try it, so I did. Not so much with the rockin' and I feel pretty firm in my belief that I won't miss much if I skip the upcoming "Blackest Night".

THE IMMORTAL IRON FIST #23 is a pretty decent read. I haven't had my hands on an Iron Fist comic since somewhere in the first 6 issues by Fraction,Brubaker and Aja, so I had no idea what to expect, but assumed, foolishly, that there was no way it could be as good as those early issues. Swierczynski does a nice job of creating atmosphere, communicating who these characters are with very little spoken information (also a credit to his art team of Travel Foreman and Co.) and coming in on the second part of a story and knowing exactly where I am and what's going on without 6 pages of exposition is a nice change. I'm seeing this more and more in Marvel books and it's making them so much more accessible than so much of DC's output. After reading this issue, I may consider catching up and continuing on with the book.

BATMAN: BATTLE FOR THE COWL #1 was better than I expected it to be, but I'm not sure I'm in for all three issues at this point. I do give it credit for being only three issues. I mean, considering all the crossovers and events in just about every corner of the DCU, and the multi-part R.I.P. storyline that seemed to go on forever, I tip me hat to them for showing some restraint and not milking this one. I should also give Tony Daniel some props for a not-bad job of writing, the first I've seen him do to date. It should be noted that the writing and art in Battle for the Cowl were both clearer and more engaging than any single issue of R.I.P. so maybe I should reconsider sticking around for the next two issues. Worth checking out if you've been a part of all this Batman tomfoolery over the last year, otherwise it might not have much resonance.

ACTION COMICS #875 was a really, really quick read. Still, I've been enjoying the happenings in the Superman corner of the DCU for a while now and this was no disappointment. The first of the all-new, all-Superman-free issues starring the Kryptonian heroes, Flamebird and Nightwing planted the seeds for what looks to be a decent story (or part of one) that will play out over the next 12 months. Kryptonian sleeper agents have been planted on Earth and they work for Zod who has not yet given up on his desire to crush Kal-El and his adopted homeworld. DC is certainly doing something right leaving their mightiest mascot in the hands of Greg Rucka, James Robinson and Geoff Johns.

That was kind of a DC heavy Comic Haul but I honestly didn't go crazy on the Marvels this week. I didn't review the new Captain Britain or Iron Man even though they were on the pile mostly because of time, but if I get a chance I'll run a couple of quickies off.

Until next week, take care.

mike

The Indiana Jones Comic Book Revue #4

All books are rated on a 0 to 5 Fedoras system.

The Further Adventures of Indiana Jones #5
(Marvel Comics Group)

Plot/Script by: David Michelinie
Pencilled by: Ron Frenz
Inked by: Danny Bulandi
Cover by: Ron Frenz

"I'm just glad mom isn't here to see this..."

Dateline 1936

"The Harbingers" continues right off the cliffhanger from last issue with Indiana Jones and Karen Mays as they dangle precariously off of a bridge in a commandeered Rolls Royce. As they make their escape they find that they are out of the frying pan only to jump into the fire as the Nazis are waiting for them on the bridge. Indy and Karen leap for the Thames and land on a garbage scow which takes them away from the immediate danger.

What follows is a series of misadventures with Indy and Karen dodging the Nazi menace at every turn while they try to make it to Stonehenge with the crystal artifact. Once there, they hope to see if the carvings that tell of the return of ancient beings to our plane of existence are true. What they find is pretty much as advertised and Michelinie describes it as such:

Above the ancient rock towers of Stonehenge the very sky splits open giving hazy glimpses of things reptillian, simian, canine, insectile, and utterly, utterly unknown!

Indy is tempted to let the beasties out so he can learn their secrets but has a change of heart and smashes the crystal, locking them away to wallow in their otherworldly place forever, not to mention foiling those pesky Nazis yet again.

Although I am never a fan of showing Indy too much of the supernatural, it is a necessary element to telling a certain kind of Indiana Jones story so I'm not going to condemn the creative team for going to the places they did in "The Harbingers". It's not the best Indy story I've ever read, but the characterizations were good, the action was fun, there was a fight on top of a train, and it was, overall, a decent pulp-inspired read. I also think this tale succeeds primarily because it mirrors so much of what made Raiders work: the race against time; the Nazi's around every corner; the ancient artifact that promises wondrous things; and a showy SFX finale with swirly ghost-like apparitions.

I honestly thought I was going to dip down with the rating on this one but I think it could be argued that "The Harbingers" was totally consistent with its predecessor and, therefore, earns three well-worn fedoras.

Hey Kids, Comics! For 03/11/09

Welcome to another installment of HK,C! and a decent sized pull-list.

Bold is what I will grab for sure.

Italics mean it's something I want, but won't necessarily pick it up right away.

Regular text indicates something that has caught my eye but is either too pricey to be reasonable, or I would only pick up as an impulse buy. More than likely I'll read it at some point but not own it.


THIS WEEK'S PULL-LIST

THE AMAZON #1 (OF 3) (I have the original release of this mini from back in the '80s but it's worth picking up if you've never read it.)

ACTION COMICS #875 (I'm not buying them with any regularity, but the Superman books have managed to catch my interest, of late.)

REBELS #2 (Loved #1, looking forward to seeing where it's all going.)

CAPTAIN BRITAIN AND MI 13 #11 (Still one of my favourite Marvel books.)

GHOST RIDER #33 (Not sure if I'm going to be buying past Huat's run but I'll take a look and see if I like it.)

GUARDIANS OF GALAXY #11 (I'm loving what Abnett and Lanning are doing on this book.)

INVINCIBLE IRON MAN #11 (I didn't think I would like this once it got wrapped up on the whole Dark Reign thing but Fraction is proving me wrong.)

30 DAYS OF NIGHT 30 DAYS TIL DEATH #4 (Haven't been buying them but they are readable.)

That's it for this week. Have a great Wednesday at your LCS. If for some reason you don't know where that is, try here.

Later!

mike

The Comic Haul - 03/04/09

Sadly, I must apologize to anyone who is paying attention to these posts, but I'm not going to be able to get a Comic Haul out for this week. I have some contract work that I have to get through and it's sucking up a lot of time. Hopefully back on schedule for next week.

Oh yeah, and if you picked up Agents of Atlas this week, you get a cookie.

Later!

mike

Saturday Morning Watchmen

While you're waiting for Warner Bros. and Zack Snyder's Watchmen movie to open, you can enjoy the Saturday morning antics of your favourite costumed heroes from an alternate 1985 here:



Cheers!

mike

The Spirit DVD Announced

So they've finally announced the DVD release date for Frank Miller's The Spirit (landing April 14th) and it was accompanied by the cover art for the disc which is no less embarrassing than the film itself:





The first thing I noticed is that Gabriel Macht (the film's lead) is squished up in the top third of the image. The next thing I noticed is that Lionsgate would rather sell you this movie based on trashy women with extremely supportive undergarments and Sam Jackson looking like a transgendered hitman, not entirely dissimilar to how they marketed the movie to theatres (which clearly worked so well for them).

I told my wife just a couple of weeks ago while we were in the car and discussing how the movie quietly slipped out of the second run theatres in town, that after all the venom and bile I've spouted regarding this movie, they're gonna sucker me into the DVD purchase anyway because of the inevitable Will Eisner doc they will include, likely on a 2-disc collector's set. Apparently, they're only including the Eisner doc on the Blu-Ray release, though, so I may escape giving them any real money after all.

Later!

mike

The Comic Haul - 02/25/09

In all fairness, I haven't managed to improve my situation time-wise so this week's TCH will resemble the one I did last week. Still, that being said, I kind of didn't mind the format from last week and have been giving it some thought as to how one could refine it a bit and possibly make that the one I use from here on out. I'll keep thinking about it. And now, on to the reviews:



BATMAN THE BRAVE AND THE BOLD #2 was the second issue I bought from this series and the first I read, but seeing as how these are one-off stories, I don't think it really matters. I didn't have high hopes for it as I'm not a fan of the show but I picked it up for my kids who I thought might get a kick out of it. I have also enjoyed most of the DC kids books so there was always the chance that I would get a kick out of it too, but no such luck here. I'm sure it would appeal to my 7 year old immensely but, unlike Tiny Titans or the new Supergirl and Shazam! books, it's all ages appeal is pretty limited.

SUPERMAN #685 was a bit dry for my tastes and suffers from being a purely expository issue to set up the next year of the Super-books. Robinson does manage to not make it a complete bore by giving us some nice moments with Mon-El and the artwork by Javier Pina was pretty solid. I don't know how closely Pins worked with Hi-Fi, the colourists for this issue, but it did feel a bit off, with some of the scenes coming off a little too bright. Maybe they need just to adjust some of their photoshop filters. Overall a decent, if unspectacular, read.

YOUNGBLOOD #8 reminds me why I stopped buying this series after the first issue. It's chaotic and it's bland which is a strange combination and one that doesn't make for good comics. I wanted to like this series when it first debuted because I've enjoyed the talents of Joe Casey and Derec Donovan elsewhere on other books. Unfortunately, I don't see a lot of that talent showing itself 'round these parts. Could be that the Liefeld characters are really limited, could be the stories that Casey is coming up with are uninspired, I don't know. What I do know is that, 7 issues later, I give Youngblood yet another pass.

STAR TREK COUNTDOWN #2 is a surprisingly decent effort from IDW, writers Mike Johnson and Tim Jones, and artist David Messina. Despite the Trek magic being thoroughly tarnished after many years of returning to the proverbial well, and the new film not inspiring me with a great deal of hope for a successful franchise reboot, this mini-series gives me some comfort. It's a prequel, but doesn't appear to have anything to do with the movie two issues in and reads better than most of the comics or novels that have been released over the years, which is interesting. It's also a nice blending of the old and the new with characters like Spock, Picard, and Data making appearances that don't come off like stunt casting, and the new characters, like the Romulan miner, Nero, who manage to fit seamlessly into the existing Star Trek fabric. It is, by no means, a perfect comic book, and the plot bears some similarities to Star Trek VI, but I've genuinely enjoyed reading both the first issue and this one, so I'll probably stick around to see how it ends.

MIGHTY AVENGERS #22, part two of "Earth's Mightiest", doesn't really improve on the first part much, although I seemed less bothered by Khoi Phamm's work here than I was previously. Oddly enough, I think Quicksilver sums up my feelings on the issue best when he refers to the new team that's assembling as "pure chaos". I know there are supposed to be interesting character dynamics forming between Avengers past and present, but the whole thing seems too staged and just isn't working for me. And I don't know who is responsible, but what's up with Quicksilver being back in the green suit? I may stick around for the final chapter just for completion's sake, but I can't guarantee it.

And that's another Comic Haul in the bucket. Looking over the list I think I'd have to vote Star Trek: Countdown #2 as the Pick of the Litter which would be the second time that book has surprised me since picking it up.

Take care.

mike