I have a lot of fond memories of that con. I met Chris Carter whose shows I have been loving for the last 15 years or so, and even got to ask him a question on the X-Files/Lone Gunmen panel that made all the news sites by the time I got home (I asked him about Millennium, what the future holds for the series and was he truly happy with the 'closure' they gave the character of Frank Black in the New Year X-Files episode, "Millennium"). I met Will Eisner and got to shake his hand and thank him for all of his excellent work over the years, not to mention getting my Spirit Archives Volume 1 autographed. I did some great video interviews including one with Jill Thompson that I especially enjoyed. Nobody has ever seen the video outside of me (although the text for which has been transcribed and published) which I may remedy in the future. I had a chance to talk to Jose Ladronn and Sylvain Despretz (who, when I asked him for a sketch, wanted to clarify that I actually knew who he was since he wasn't really a comic book guy), met Walt Simonson, Sergio Aragones, Bob Burden, Brian Azzarello, Stan Sakai, and Mike Mignola. It was good times.
Outside of the con, Karl and I hung around with friends Kaare Andrews (who was living in town while doing work for Wildstorm), Trevor McCarthy (who taught me how to talk like a New Yorker should I ever find myself in the City), and a retailer out of Edmonton named Kelly (whose last name I shamefully forget). Karl played pool with Howard Simpson, we crashed the Wizard party, and closed the show down with an extra day in SD, spending most of it on the beach to recharge before making the epic trek back home.
At the con I managed to snag a sketch by Duncan Fegredo which remains one of my most prized possessions. Shade the Changing Man was an important series for me during the Peter Milligan run and Fegredo did some of the most amazing painted covers for that book. I loved them all. It was one of the things I looked forward to every month. So, I stood in line and when it was my turn I asked Duncan to either draw me one of two characters: one whose identity escapes me at the moment, and the other was a Mad, Mod, Poet God. He chose the latter and I was ever so happy he did.
I always intended on framing some of the sketches I acquired at SDCC and I never got around to it until tonight when I finally set it up and hung it on the wall. Jen has been pushing to finally start putting up some art or posters or pictures or something to beautify the homestead a bit, so we put up one of my favourite Moonshadow posters and the Shade image, so far. I've attached images of them (taken with my shitty phone, I know) below so you can get an idea of what I'm talking about.
So, yeah, I just wanted to share that little tidbit. I'll be framing my Usagi Yojimbo, Scary Godmother, Sylvain Despretz rendition of Maximus from Gladiator and a Mike Mignola Hellboy sketch as soon as I get some matte boards for the frames. Until then, I'll have to enjoy ol' Shade for a while, which shouldn't be hard because the image gives me a lotta joy.