Season 10 Underwhelms This X-Phile...So Far

As a huge X-Files fan I was elated at the announcement of a tenth season being created for comics. IDW has a decent track record with licensed properties and I had a lot of confidence in what they would produce based, primarily, on the X-Files/30 Days of Night cross-over book they published a couple of years ago. Hearing that Chris Carter was going to be involved, on any level, was more well than I could have imagined for an X-Files book. To have an 'official' continuation of the series that was being shepherded by its creator was the best thing that anybody who loved the show could hope for.

So, why am I not loving this series five issues in?

The story takes place post-I Want to Believe and does a decent job reintroducing the characters to the reader and setting the stage for the next chapter in the life of Mulder and Scully. The story quickly stops making much sense, however, when Joe Harris, the series' writer, tries to explain the motivations of the story's antagonists and clumsily brings back some characters from the show's past. Despite having five issues to flesh things out and ease the reader into this new scenario, things jump around endlessly from location to location and character to character, and I never quite glommed on to what the heck was going on other than the fact that Mulder and Scully were trying to stop The Acolytes from finding something while simultaneously trying to figure out what the big picture was.

Even at their worst and most convoluted, a mythology episode worked as a story that you were watching; self-contained with a beginning, middle, and end. Where it tended to get confusing was where it fit in the big picture, how it tied in to the web of conspiracies and lies that had been established on the show and what it possibly meant for the future. This story, "The Believers", has all of those elements except I'm not feeling it working as a self-contained thing. Sitting down and reading all five issues this afternoon I didn't feel the flow, and I'm still muddled on what the purpose of the whole caper was.

I am looking forward to the next few issues which, I'm told, will be creature-of-the-week stories. Maybe just having a simple case to solve and creature or weird happening to figure out will get my X-Files juices flowing. I'm also not giving up hope that later stories will shed more light on the events of "The Believers" but, for now, I'm not shouting from the rooftops about how much I'm loving this new iteration.

Also, for the record, I'm enjoying the poop out of Michael Walsh's artwork on the series whatever I may be saying about my level of enjoyment. He's doing some really good work on this book and I'm excited to see where he goes from here as he's only going to get better as time goes on and he becomes more and more familiar with this world and these characters.

So, on that note, carry on and the truth is out there!

Reading The Art of Jaime Hernandez

I've always admired the work of Los Bros Hernandez, even if I've never been an avid follower of their Love & Rockets comic book series. By the time I started noticing the brothers' work, the series seemed daunting to jump into. They would occasionally do one-shot stories but, more often than not, each story was another chapter in the continuing lives and adventures of Maggie the Mechanic or Gilbert's fictional world of Palomar. My main intersection with the brothers has been through works done for other publishers than Fantagraphics such as Gilbert's Vertigo work or Jaime's Mister X issues.

So when I saw The Art of Jaime Hernandez by Todd Hignite at my local library, I had to grab it. Not only am I a fan of the artwork but I love to read about cultural history and this book covers a stream of the comic book narrative that I was, more or less, unfamiliar with.

At times, the book bordered on hagiography (look it up) but, overall, I think Hignite put together a really nice package to showcase one of the luminaries in the field. And, while Hignite does an admirable job of covering Jaime's story from childhood to present day, where the book really shines is in the wonderful photographs and artwork that have been included in this volume. Everything from the childhood photographs of Jaime and his family to the rare and unused artwork and concepts are a real treat and make this book an indispensable, and highly entertaining, resource. Lastly, the oversize nature of the book lends itself well to the material. Not only did much of it first get presented in magazine format through Love & Rockets, but it gives readers a nice sized page to read, or just to admire Jaime's exquisite linework. Instead of squinting at word balloons, or struggling to see detail, Abrams Books makes it effortless to enjoy these pages.

I'm going to leave you with my favourite image from the book. It's a panel from an unused page where the character Hopey is writing a letter to her friend, Maggie, while she is on tour with her band. She's telling Maggie about all of their misadventures and the panels are arranged vignette-like, giving tiny glimpses of the events she's describing.



What I love the most about this image is the way the line effortlessly leads you through the panel. Hopey's posture is evocative and implies movement despite it being a very static image. This is sequential storytelling at its best. Plus, the image just rocks on a purely aesthetic level.

Anyway, if you have a chance I definitely recommend the book to anyone who loves art looking for a day or two of reading, and a bunch of eye candy.

I think I'm going to really dive in and read some Love & Rockets. It's about time I did.

Cheers!

mike

*Hernandez image blatantly lifted from the Criterion website.

Satisfying my Sweet Tooth

This past Thursday one of my LCS' had a gallery/signing event with Canadian cartoonist, Jeff Lemire. For anyone who doesn't know Jeff, he is the creator of the Vertigo comic Sweet Tooth, his Essex County book published through Top Shelf was included as an entry in the Canada Reads competition (I think a first for the event), and he is currently writing Superboy for DC. So, Jeff made a stop here on his way through to Calgary for the Calgary Expo, putting up some artwork to sell, as well as some prints and sketchbooks, the latter of which I purchased despite wanting one of those prints, big time.

Meeting Jeff was nice, he was pretty laid back and an overall nice guy to chat with. He recommended a couple of comics to me (including EmiTown by Portlander, Emi Lenox), signed my Superboy #1, drew me a sketch on my backing board, and signed and drew a sketch in the sketchbook that I bought. Not a lot of guys do that anymore, so that was pretty cool.



I was planning to attend the Calgary Expo but, for various reasons, could not. Seeing as Jeff was one of the creators I was really hoping to see at the show, I can't help but feel it was kind of a nice little bit of karma floating my way. I now have to catch up on my Sweet Tooth reading because I am woefully behind and I think Jeff could tell.



Later!

mike

Greek Street Tragedy

In a previous post I talked about Peter Milligan's modern Greek tragedy pastiche, Greek Street, which only lasted 16 issues. I had the first 6 issues bought but, for reasons I can no longer remember (either boredom or money) I stopped picking them up every month. Even though I was ridiculously excited to see a new Milligan series I just didn't connect enough to keep up with it.

Flash forward a bit and I'm grabbing the TPB at my library figuring, 'Meh, I'll give it another shot. Read it in one sitting'. Which I did, and I really enjoyed it the second time around. Now I wanted to pick up where I left off but, alas, I was too late to pick up the missing issues. They were long gone from the shelves of the stores I frequent. What I didn't know, however, that one of the stores did have copies, just not on the shelves. They were sitting in their dollar bins and I discovered them one morning while I was browsing on a day off.

I now have issues 8-13 (with issue 8 being in rough shape, but it's the only one available, so...) so that leaves 7, and 14-16 that I still need to find somewhere and pick up. Still, it's a much better position than I was in previously. Also, for the cherry on top of the story, I was at yet another LCS and I was looking for issues of The Unwritten when I inadvertently unearthed a bunch of issues of Greek Street which got the comic book archaeologist in me all giddy. Unfortunately, I didn't have the money on me to grab what they had but I'll be returning soon to try and fill in the blanks.

So, in the end, my Greek Street tragedy may have a happy ending after all.

αντίο

mike

Red Hulk, Green Hulk, Go!

I was going to do this on Twitter but figured I would need more than 140 characters to express my feelings on what's been going on over in the Hulk title, so without further ado...

Now, I should start by qualifying that I haven't actively purchased or read a Hulk comic since Bruce Jones and John Romita, Jr. were doing the book a few years ago. I'm not even sure how the whole Mr. Green/Mr. Blue thing panned out, unless you count what they used in the second Hulk movie. I was not overly familiar with the "World War Hulk" storyline that ran for a while, and I pretty much ignored the Red Hulk material that Loeb and McGuiness were on about, so it had been a while since I knew what was going on with the guy. To say the least, I was surprised to find that the, along with the new Red Hulk (who was, in actuality, General 'Thunderbolt' Ross - Oh, the irony!), pretty much every other character in the Hulk universe got Hulkified by The Leader and...M.O.D.O.K., I think.

All kinds of crazy stuff has been going on since I've been gone, and the Hulk's single Incredible book has branched out into a family of books: Hulk, Incredible Hulk, & Incredible Hulks. Let me know if I've missed any.

Normally, this is not the kind of storytelling that entices me into picking up any book, especially when it's one that I've already taken off my pull list years ago. So, you ask, why am I fretting so about it?

That would be because of Jeff Parker.

I've always enjoyed Jeff's writing and still tell anyone who will listen that he is responsible for one of the single most enjoyable super-hero books I have read in my almost 30 years of reading comic books. So, you tell me he's going to be writing the book after Loeb departs and you have most certainly grabbed my attention. This is a guy who can handle the super-science, the monsters, the action, and the drama. You pair him with a talent like Gabriel Hardman who has a keen eye for visual storytelling and can draw the most outrageous action sequence or people eating soup with perfect aplomb and you have me adding it to my pile and I'm out the door with my LCS owner a few bucks richer.

Sounds like I'm loving this book like a fresh pair of socks on a cool September morning, doesn't it? Unfortunately, this is where I get conflicted about the whole shebang.

I want to like Hulk more than I do, but I'm finding it hard to fully embrace the darn thing. Oddly enough, I'm finding the character of the Red Hulk fascinating when I was certain that I wouldn't. I couldn't be bothered to even look at Loeb's issues on the shelf but I'm intrigued in these stories by how Ross is handling being the Hulk. It is so different from Banner, yet strangely similar, too. There's the alienation because he's a monster and the thrill that comes with so much power, all the things we are used to seeing with the Banner Hulk over the years. The main difference, though, is that Ross doesn't feel sorry for himself and whine about it constantly. He's a soldier and he deals with his new situation whether he likes it or not. A good example of this is in one of the early scenes of #25 where Steve Rogers is giving Ross his assignment. Steve is honestly trying to help Ross make good and have him be an asset. The tone of the dialogue, the staging of the scene, it's originally what sucked me in.

In that same issue, however, we are given an example of why I'm conflicted about this series, for as much as I am loving the character of the Red Hulk, this issue spends a great deal of it's 'running time' on a tired old super-hero team-up cliché; the fight-brought-on-by-misunderstanding-before-realizing-we-are-supposed-to-be working-together schtick. In fact, this is a cliché that gets played out for the following 2 issues, if I remember correctly, with Iron Man being followed by Thor and then Namor. Everyone wants a piece of Red Hulk, apparently, but I feel like every time they go down this road they kill all the momentum they've built up. I like my share of smashing in a Hulk comic, don't get me wrong, I just think there's more to mine here and these sequences are not adding anything useful to the overall narrative.

I remember in the '90s when Garth Ennis was writing Helblazer. I hated his run for a number of reasons I won't go into here but, without fail, every time I was going to drop the title once-and-for-all Ennis would drop an amazing single issue that had everything I needed in a Hellblazer story to make me happy. Every. Single. Time.

There's kind of a similar phenomena happening here minus the hating part. After reading #27 I was going to stop buying Hulk and move on but then #28 came out and I loved that issue. Then I read #30 and figured, okay, #30.1 would be the last one if I didn't like it but I did (although I don't think Tom Palmer should do finishes over Hardman anymore - it seems like a no-brainer but it really isn't a good thing). And in some of the cases where the main story was not grabbing me, I kinda dug the back-up featuring A-Bomb (Rick Jones) or the Watcher back-ups that are now starting to pay off in the main story.

I guess the fact that I'm bothering to take the time to write this does prove that these guys are doing something positive with this series because I'm interested enough to care. To want to see more interactions between Ross and the LMDs, to see the Fortean/Ross/Red Hulk triangle develop, and to see where sleep deprivation will eventually take the character. That, and the fact I obsess over books and movies I can't fully embrace/endorse. Really, I'll probably spend more time rereading and staring at Hulk pages than I ever will Atlas ones.

So, now I'm waiting to see what #32 will bring (I hear it's a corker) and I continue to live with this series issue to issue.

Fingers crossed!

mike

Confessions of a Media Junkie

That's the title that's milling about in my head at the moment. I still haven't done a search on it online to see if someone else is using it, so it may change, but I've been giving some consideration to writing a column, of sorts, here or on another blog (one that I'd create seperate to this one). In it I would do something similar to what Nick Hornby does with his Believer columns, "Stuff I've Been Reading", but instead of books (or exclusively books) I would cover DVDs and Blu-Rays. I'm always buying new discs and do not always watch them immediately after doing so. In fact, they often sit on my shelf for a very, very long time before I even take them out of their wrappers. I do the same with books and comics. The only things I get into right away is music.

So, that might be coming on the horizon. We'll see how things go.

mike

The Counterfifth Detective

I think 100 Bullets was in it's late twenties or early thirties when 'The Counterfifth Detective' storyline rolled in, and for whatever reason, I stopped buying and reading the series at that point. It was probably a money decision, or I missed an issue and my store didn't have it and the completist in me made me stop buying it until I found it. Either way, it ended my relationship with the book several years ago and I haven't read an issue since.

Now that the series is over I've kind of had thoughts of revisiting it. I've always liked the series. Azzarello was one of my first interview gigs, too, talking to me for FEARSMag sometime before the first year was up. It's what started me on the book, to be honest.

So, I'm at the library and I'm picking out some books and movies to take home when I run across the collected 'Counterfifth Detective' and I think to myself, "why not?". I bring it home, I finished reading it today, and I'm a little surprised at how clichéd it was in plot and dialogue. I don't remember the book being quite that 'on the button', for lack of a better word, with all the noir tropes and catchy dialogue. I can't remember, for the life of me, but was the whole run like this from the beginning? There were some interesting elements to the story, and the artwork by Eduardo Risso was beautiful, as always, but something here missed the mark for me.

I'm certainly going to continue grabbing the trades and finishing the story to the end, I'm just a bit non-plussed regarding my reentry into the series. Here's to Book 6, I guess.

Later!

mike

Reading Some Greek Street

Typical that just before I decided that I did, indeed, enjoy Peter Milligan's latest creator-owned offering, Greek Street, I find out that it has been cancelled as of its 16th issue. Not sure how long ago that was but it's been a bit. I seem to have a history of being attached in some way to books that don't survive. I'm a walking, talking, cancelled comics cavalcade, you might say.

Anyway, I grabbed the first collected edition of GS at my local library thinking, "I'm going to give this book another chance", and found myself really enjoying the heck out of it the second time around. I'm still not overly familiar with the Greek tragedies that the stories and characters are based on, but the stories in the first 5 or 6 issues was compelling enough for me to ignore that fact. Add to that the beautiful artwork of Davide Gianfelice and you have a comic book that was definitely unappreciated in its time. From what I've read in interviews with Milligan, he really hoped this would be another long-term project and he had a lot of stories to tell.

As it is, there are 16 issues of the series and I have yet to read 10 or 11 of them, so at least I have that to look forward to. I'm also able to continue enjoying Milligan's writing over on John Constantine: Hellblazer, so it's not like I'll be going without his particular brand of storytelling month in and month out.

I do recommend checking out Greek Street, though, if you haven't already. It's definitely not for everyone, but it may tickle your fancy.

Later.

mike

The Indiana Jones Comic Book Revue #6

All books are rated on a 0 to 5 Fedoras system.

The Further Adventures of Indiana Jones #7
(Marvel Comics Group)

Plot/Script by: David Michelinie
Pencilled by: Kerry Gammill
Inked by: Sam de la Rosa
Cover by: Kerry Gammill

"Guess I'd better switch to 'Plan B'. Playin' it by ear!"

Dateline 1936

"Africa Screams!" begins with an adventure in medias res. Indy has infiltrated a monastery in France to retrieve a summoning stone that was stolen from the National Museum by a man named McIver who deals in the trafficking of ancient artifacts. He uses the monastery to house them and transports them in wine barrels so they go unseen by the authorities. Indy is wise to their scheme and, in the process, runs afoul of McIver who gets the drop on Indy and sounds the alarm. A chase ensues where Indy evades McIver's men, steals a truck and gets away, traveling back to Connecticut and home.

There he meets with Marcus Brody who points out that the rock Indy recovered was wrapped in a piece of paper that Indy grabbed, and that paper happens to be a rare map which may show the location of the lost tribe of the Shintay, an offshoot group of Atlanteans who fled the continent. It appears that they may be located in the Congo and Brody tells Indy he will have to leave at once since time will be of the essence.

Marion Ravenwood re-enters the picture as she was 'hiding' in the room during Indy's discussion with Brody and insists on being taken along. Several days later the pair hit Western Africa and try to put together an expedition with some bearers but another group already came through and hired everyone in the small village for a similar expedition. Indy and Marion decide to go on alone and have some misadventures with the local wildlife until they meet up with the aforementioned group led by Dr. Curt Vogel.

Indy suspects this other group of also trying to find the Shintay and does some poking around the camp that night. He is discovered and the enemy is revealed as Vogel admits to being Colonel Vogel and that he is a Nazi. He has been working with McIver, who recognized Indy, and is about to eliminate Jones but is thwarted as Indy escapes, rounds up Marion and hides in a cave with her, waiting for the soldiers to leave before they double back to the camp and gather some supplies before continuing on their own.

Just then, from behind the two of them, a pair of eyes come out of the darkness and an animal growl can be heard...

This was another really good issue with all the right pacing, action and touches to make a proper Indiana Jones adventure. Surprisingly, all the characters from the film are very much in character and, if one really wanted to go there, this story could even be considered canon. I hope Michelinie manages to keep this style and quality of storytelling up for the duration of his run. If he does manage it, this will be a very enjoyable reviewing process for the foreseeable future. The artists, Kerry Gammill and Sam DeLaRosa, do an admirable job of creating a world that I can believe belongs to an Indiana Jones story. Their likenesses of the characters are quite good and their environments are nicely detailed and have a lot of texture. The storytelling is strong and Gammill moves things along at a nice pace, never letting the reader get lost either geographically or in the narrative. After several artist changes, good and bad, I hope this is the new creative team for a little while.

Overall, I really enjoyed this story and look forward to the follow up in #8.

Ghostbusters Completed

About a week ago I was overcome with ennui and decided to throw in my Ghostbusters video game into the PC and finish it once and for all. When I stopped playing it a while ago I had left off on one of the last levels, I was sure, as the story was kind of wrapping up in a climaxy kind of way. I don't remember what it was that stopped me from playing it through at the time, but I'm sure it got overly difficult and I got bored and busy or something. Anyway, it had been sitting on the shelf for some time and I decided to dust it off and get it out of the way.

Overall, it's probably some of the most fun I've had gaming. Really. The story, acting, graphics, all were top notch!! And, as far as I'm concerned, the game was written by Aykroyd/Ramis, stars the original cast (even Atherton and Potts) and continues the story as if it was the third in a trilogy bringing everything back to Shandor, Gozer, and explaining some of the stuff from GB1. And the new character you play doesn't intrude at all on the story. Even without saying a word he is seamlessly interwoven and actualy interacts with the other characters.

This, folks, is Ghostbusters 3. Make no mistake.

Anyway, now that I'm done the game I seem to still have a bit of a GB jones so I'm probably gonna grab some IDW Publishing GB comics and get an extended fix. I was buying and following all the GB comics but kind of dropped off there for a bit. A lot of one-shots seemed to be coming out that looked hastily conceived and quickly produced, so I sort of stopped buying, but I'll probably go back and re-examine. I just bought the Halloween special written by Peter David which wasn't bad. There's a time-travelling mini written by Scott Lobdell which I'm sure I should be checking out, so that's probably the next step.

Take care!

mike

Check It Out

Watch the pilot episode of The Walking Dead courtesy of AMC. If you like drama, zombies or good storytelling, give it a shot. The books it's based on are great and I'm hoping Frank Darabont gets this right!



Later!

mike

Fringe Reading

This afternoon I finished reading the collected Fringe comic that Wildstorm put out a while ago. I picked it up because of my interest in the show and I'd heard that it was a not-bad read that did, in fact, enhance the viewing experience somewhat due to its exploration of the pasts of William Bell and Walter Bishop.

Well, the main story featuring the two oddball scientists was pretty lackluster so I was, overall, disappointed with the experience. I'll definitely keep to the show and avoid any more 'hidden tales' from the fringe. The shorter back-up stories, however, were pretty decent in a Weird Tales or Strange Science-Fiction Stories sort of way. In fact, it looks like the publisher is following this format for their second Fringe series called Tales From the Fringe which appears to be all shorter stories with twist endings and weird situations. The only real difference is the new series actually stars characters from the show like Broyles, Dunham and Peter, so it's a little more interesting to read.

Anyway, just wanted to get some thoughts down on the experience. Not really recommended for anyone but the most die-hard of fans, so reader beware.

Until next time.

mike

Help a Dude Out

Okay, so I posted a new banner up top of the page and will continue to do so throughout the series of auctions being put on by Steve Rude and his wife Jaynelle. See, they're in a rough patch and their house is in danger of being foreclosed on and these folks are trying to unload a bunch of comic art and other merch in order to help pay some of the bills.

Steve is one of the finest artists to ever work in comics and his Nexus series with Mike Baron is possibly one of the finest series ever produced. There was a recent attempt to relaunch the book under Steve's creator owned imprint but for whatever reason that didn't pan out for the long-term, much to the dismay of all of his fans, this one included.

Anyway, if you are a fan yourself, love comic book art or just wanna maybe help a guy and his family out, click through at the top of the page and take a gander at what's being offered.

Take care!

mike

Image Worth a Thousand Words

This image and cover makes me ridiculously happy.

mike

Recent Acquisitions

Among other things, this weekend involved some new acquisitions which I thought I would make mention of here. While out and about with Jen we hit a local used bookstore and I found a very nice copy of Nick Hornby's Fever Pitch, something I've been meaning to buy but never have gotten around to. I took the book out of the library once, years ago, and had to return it before finishing it so I look forward to taking another crack at it. Maybe I'll watch the movie when I'm done. Not the Farrely Bros. one, the one starring Colin Firth.

I also grabbed the first issue of what appears to be a new Batman Beyond series. I had not heard of this (which shows how unplugged I am from mainstream comics these days) but I curious and excited to explore what lies within. Writer Adam Beechen knows his animated properties and the artist, Ryan Benjamin, looks pretty decent so I have high hopes for reading it. I was, and still am, a huge fan of the television series this comic is based on and any chance to see Terry McGinnis again (as long as it's not complete shit, anyways) is a nice surprise.

Update: Just read it and I'm pleased! Art and story were well done. A little out of my comfort zone style-wise to really embrace it as 'of the series' but I'm very much looking forward to seeing how this six-issue series pans out.

I also grabbed an official guide to Battlestar Galactica which covers the relaunch, the mini-series and the first season, if I'm not mistaken. So far, from what I've read, it's pretty darn good. Moore is not pulling any punches and, short of covering all the failed attempts to bring the series back, it's an informative read coming from primary sources.

Nabbed a couple of albums by Pinback, which were recommended to me by Jen. The jury's still out on the band but so far I'm liking what I hear.

Kate picked up Lego Rock Band and we have been rockin' out for most of the evening to some cool tunes by some of our favourite bands. I have to say I'm happy to see The Kooks, Vampire Weekend, Glasvegas, Blur and Phoenix all represented amidst the Big Ones that you expect to see. It warmed the cockles of my heart.

Oh, and while she was doing that I picked up a discount copy of Mothra vs. Godzilla for, like, $5. I haven't opened it yet but I doubt I'll return it. Simon might have fun watching it with me, he's a bit of a Godzilla nut. I mean, he's 9, what do you expect?

So that's it. I could mention the cannelloni dinner I made today, which was fabulous, but that's less of an acquisition and more of a 'see what I DID today' kind of thing. Maybe post on it later. I'll be taking some samples in to work to let the proles sample some of my wares.

Anyway, on that note, I will depart. Take care, stay warm, keep fit and play safe.

mike

Why Does Larry Niven Know So Much About Kryptonian Sperm?

I've been away from the blogosphere for some time (as I'll elaborate on in a future post) and, having some free time on my hands, took the opportunity to browse around and reacquaint myself with various and sundry online places and happenings. Along with hitting all the usual haunts, I took it upon myself to try out some new blogs, one of them being Steve Thompson's BookSteve's Library. Thompson is a pop culture enthusiast (as so many of us are) but he's operating on that Jedi-blogger level like Mark Evanier, so the deeper you go, the richer the rewards.

Among other things, I found the most amazing embedded videos on his blog. I'm talking about stuff that I have searched for extensively in the past but came up woefully empty-handed. Now, thanks to Steve, I'm buzzing over the fact that I found a long sought after Pogo special (one of two, I believe) that was directed by Chuck Jones and written by Kelly himself. I had long since given up on trying to find it online and then - BAM - there it was. Just sitting there and waiting to be watched.

Unfortunately, I haven't had the chance to this evening, but I'm thinking maybe after work tomorrow.

Another video I ran across on Steve's site is this 1981 Superman documentary. It sort of covers the history of Superman through interviews with Siegel and Shuster, shows some behind-the-scenes footage over at DC Comics circa 1981, and gives some face time to Christopher Reeve and Margot Kidder who gave their perspective on Superman through their involvement in the film series. They also talk to a psychiatrist, some amateur filmmakers who made a Superman spoof, and Larry Niven who, by the way, comes off as an incredibly unusual and creepy guy. His segments are some of the stranger elements of the doc, but when he starts talking about Kryptonian sperm (in Part 4 or 5, I think)...I just kind of tuned the guy out from that point on.

Anyway, Thompson claims that it's the best superhero doc ever made, but I've seen dozens that have been done better. I'm not sure what the yardstick is on this one, but just off-hand I can name Moebius Redux: A Life In Pictures, Comic Book Confidential, Tales from the Crypt: From Comic Books to Television, and In Search of Steve Ditko just off the top of my head. For the time, however, this was probably the the tippity top as far as production values, the quality of the overall presentation, and the analysis given to a comic book subject.

You can be the judge:



Up, up, and away!

mike

Is the Dude Being Rude?

Now, I'll go on record right off and say that Steve Rude is one of my favourite artists currently working in the comics industry. His seminal work on Nexus with Mike Baron has endured for two decades and remains, not only one of my top 5 comic book series of all time, but also relevant. Over the last little while I've been re-reading my Nexus collection from The Capitol issues to the most current Rude Dude issues and I'm continually amazed at how much of the '80s is reflected in those stories but how little they have dated over the years. So, when Steve Rude announced that they would be returning to the character and self-publishing new stories...well, let's just say that the return of Nexus to comic book shelves was one of the single most exciting things to happen for me in many, many years of collecting comics.

I was so pumped to have the book back and to have Rude and Baron working together again that I was willing to put out a little extra just to show my support. When they released the Free Comic Book Day book, Nexus' Greatest Hits, as a regular Rude Dude release, I bought it even though I already had it because I know self-publishing can be a tough racket. Then, when they released the Nexus Origin book I grabbed that one also, even though I already owned it from back when Dark Horse launched Nexus. Then, when Steve re-released it as a squarebound book with a new cover and 'extra pages' for a buck more, I bought that, too. It was supposed to be completely remastered and have extra stuff so damn the torpedos, right? Well, it was exactly the same as the previous Origin they published and featured 'extra' material that had been published elsewhere. I wasn't going to complain, though, because losing Nexus again was something that I did not want to see happen.

Lately I've been reading Rude's blog posts where he's been asking people to buy stuff at his store so he can pay his bills and how his brief return to comics was a failure and I can't help but be a little pissed. Not only have we, as readers/consumers, bit our collective tongues while waiting for each issue of "Space Opera" to come out (invariably late, it should be stressed) and spent money on materials we probably all already owned being Nexus fans, but now we're being asked to go and spend $250 at his online store for the privilege of having an original sketch?

When I think of how the 'failure' of Nexus may have had something to do with the irregularity of its schedule, and how opportunity and momentum was likely lost to whatever issues were being played out behind the scenes, I cringe. One of the lessons I thought most publishers learned throughout the last ten years was that when a book is solicited to come out, it better come out because, beyond just looking bad, readers are fickle and don't have a lot of money to spread around. Certain marquee books can weather that storm but, ultimately, if your book is not on the shelf readers will likely spend it on something else that is there.

Once retailers have lost confidence in your publishing schedule they will likely look at your book in Previews and pass you over because who knows if it's really going to show up. They'll order enough for their file customers and that's all she wrote. All the interviews, good faith, nostalgia, hype and media attention can't save you from general apathy once it sets in.

So, to be as supportive as I can as a consumer towards Rude Dude Productions and then have them tell me that not only is Nexus done but that I really should come by and give them some more money, has me just a little ticked.

Later!

mike

Kathy F***ing George!?!

So, I'm sitting on the crapper reading the latest issue of John Constantine: Hellblazer - which may be more information than you need to know but is a disturbingly apropos place to have been reading it - when I get to a part near the end where John is stumbling through some public bathroom in Hell and comes across two individuals. The first is a red-headed, grungy looking, bad-mofo kind of guy and he is sitting next to an attractive, sad looking girl with dark black hair. Upon seeing them, John mutters, "Kathy? Kathy...George?"

WTF!!!!!

At that precise moment, I barked with one of those surprised but happy one note laughs - "Hwah!" - which I'm sure must have had the poor wife thinking I'd dropped something terrible or torn something somewhere. Once my business was done and hands were washed and all that, I ran to my wife who was in our room and I held the page in front of her and said, "Look at this page until you see it. You'll know what it is." She stared at it for about a minute and a half when a smile, big and wide, crept across her freckled face.

If you don't know who Kathy George is, Peter Milligan, the current writer of Hellblazer blazed his trail in American comics by writing a weird little mature readers title called Shade the Changing Man (of which both the wife and I possess complete runs). It ended years and years ago but it was one of my favourite comic series of all time and Kathy was one of the main characters, along with Rac Shade and another female character named Lenny. To have her show up again, in any capacity and after reading her dialogue where she says, "You can't help me. Not now. Not yet..." it sounds like we will be seeing the cast of Shade yet again, which is just a real mind-blower. So completely unexpected, although not entirely unprecedented.

There's actually a John Constantine connection with these guys since the four actually met during a cossover where they are sent back in time and have to deal with some puritans and Shade is turning into a tree and Lenny and Kathy are going to be hung as witches. John takes a particular shine to Kathy, as most people who meet her do, and it was something left unresolved at the end of the storyline, if I'm not mistaken. Clearly Milligan never forgot and I have every confidence that it will have something to do with where that call-out is going to lead in future issues of Hellblazer.

The prospect of seeing these characters again has me very excited. I never thought I would see them again. If ever there was a way to hook me in to a series so thoroughly that I wouldn't dare drop it so long as a single particular writer was guiding the destiny of said book, Milligan has found it.

I will be waiting with bated breath.

Later!

mike

I Aint Afraid of No Ghost

Considering how I felt about the last Ghostbusters comic book effort from IDW, I wasn't going to try and usher in the new mini with any kind of fanfare. The art looks okay, but the writer, Scott Lobdell, is an unknown quantity here. I thought his work on the X-Men franchise over at Marvel in the '90s was absolute crap but I did very much enjoy his run on Buffy, High Roads was fun and his Wildcats work was decent, also.

The question remains, however. Can he write a decent and faithful time-travelling Ghostbsters story? We'll see when the new mini, titled "Displaced Aggression", debuts in just a little bit.

Could be crap, could be awesome. It doesn't have to live up to the films, just the excellent Ghostbusters: Legion comic book published by 88Mph a few years ago.

i09 has some artwork displayed at their website if you wanna have a look see.

Cheers.

mike

Joe Hill

At the library the other day I saw a copy of IDW's Locke & Key. For those of you who don't know, the book is written by Joe Hill and features artwork by Gabriel Rodriguez. It's the story of a family who survive a major tragedy and move to a relative's house that has some special characteristics. At Keyhouse, there are certain keys (if you can find them) that will open certain doorways that lead to other places and states of being. Within the grounds of Keyhouse exists an entity that wants these keys and uses its influence to achieve its goals. This is where most of the action and drama come into play.

In the introduction, there is some discussion on how the writer, Joe Hill, is a brilliant young novelist in the genre and everything he touches is golden. Well, seeing as I thought the first few issues of the comic reprinted in the collection were pretty good and not absolutely astonishing, I took these comments with a grain of salt.

A few days later I was shopping at Indigo! and I noticed a collection of Hill's short stories called 20th Century Ghosts. It was on sale for $7.99 and Christopher Golden (one of my favourite genre writers) spoke incredibly highly of him and the work in the introduction. I thought if everyone seemed to be praising everything Joe Hill does, I might as well try out this short story collection and see where that leads me.

Well, I'll tell you where that leads me. I am now a huge fan of the work of Joe Hill. This guy is everything they say about him. I have yet to read his full-length novel, Heart-Shaped Box, but these short stories are superb. His expert handling of the genre is a refreshing surprise considering so many of his contemporaries (literary and cinematic) go for the jugular and try to give you as extreme an experience as possible while sacrificing mood, and story. Hill knows what it means to build to something and make the reader an active participant in his storytelling.

Finishing Locke & Key I was treated to some of the same surprises that I had seen in his short story work. I assumed that L&K was going to trade on the nasty bits with lots of killing and abuse and cruelty, but that's just not the case. There's a mood to it, a quality that feeds off of the darker points but also shows a lot of humour and sensitivity and I'm really looking forward to seeing where this story goes. I have another storyline to catch up on ("Head Games") and then I'll be up to date.

Oh, and if you haven't read his short story "Pop Art" then you must go out and do so now. You really, really must.

Later!

mike