But I digress.
The film itself was pretty good. It sticks incredibly close to the graphic novel by Darwyn Cooke with very few points where they left the source material totally behind. Design-wise, the art direction is incredible with the period of the 1950s in the United States being represented beautifully, both in background sets and clothing. The script, as I mentioned before, stayed as close to the book as possible and had Darwyn's stamp of approval with some bits actually written by the man himself.In particular, there's a scene with Lois and Superman shortly after Superman has his discussion with Diana in Indo-China, and they're sitting on the Daily Planet globe talking about the state of America and McCarthyism. It was added to throw some exposition in that would help round out the period, helped justify expanding Lois' role in the film and, like I said, was added by the original creator himself so it carries a litlle added extra weight.
The voice cast was incredible with David Boreanaz doing a wonderful turn as Hal Jordan/Green Lantern, Lucy Lawless is just the painfully obvious choice for Wonder Woman, Brooke Shields and Kyra Sedgewick do a surprisingly good Carol Ferris and Lois Lane, respectively, and Neil Patrick Harris is a surprising but inspired choice as Barry Allen/The Flash. And that's not the whole cast, by a long shot. I suppose Miguel Ferrer should get some props for his Martian Manhunter and while Darwyn loves Jeremy Sisto as Batman, I'm still wrapping my head around it, so I'm just going to leave it at that.
One of the things that really stood out for me on the picture was the animation used on The Flash and how he was written. I've never been happy with how the character is portrayed while running in TV or animation prior to this, but the guys who put this movie together got it absolutely right. The guy is the fastest man alive, he can circle the world 7 times in the space of a blink, you shouldn't see his arms and legs moving while he runs, not unless he's running a little slower, anyway. He should just be a blur and be able to do things you can't even see on-screen, and that's how he was here. When Captain Cold asks why his cold gun doesn't work and Barry says, "I rewired it on the way down," I was thrilled that someone finally got it right.I'm not sure why Warners holds these movies to a 75 minute running time because New Frontier would have been so much better with another 5, 10 or 15 minutes of story added in. Seeing young Hal Jordan, The Losers on Dinosaur Island and, while I understand how the John Wilson story does little to advance the plot, it would have been nice to see it play out as more than a news bite in the middle of the film. Or even leaving some of that stuff out and just fleshing out some of the details at the end. The climactic ending, to me, did feel a bit rushed and was not as satisfying as the finale in the book. There are a lot of dialogue-less moments in the movie, and probably just as many slow cuts as quick ones, but I'm the kind of guy who likes to linger on characters and events to let them soak in a bit.
Still, these are minor nitpicks since a person could always go back to the source material if they really wanted to get some of that extra texture, and as a living, moving representation of the graphic novel goes, The New Frontier hits so many of the right notes that it is hard to complain about too much of it. My wish is that, because of the book it was based on, they would have done this movie a la Batman: Mask of the Phantasm and gave it a longer running time and a theatrical release, but you gotta take what you can get, where you can get it, right? And, really, I'm still viewing it as money well spent and that's before I've had a chance to scour through the special features and documentaries, so that should speak volumes to anyone who knows me.All this Darwyn chatter is making me want to resurrect an old interview that I conducted with the man but never saw print in its full form. A segment of it was published as an article in my University newspaper which I've since posted on my website, if you care to check it out.
I remember calling Darwyn afterwards and wanting to do another interview that I would blend with the old one since it never saw print and I always felt bad about that. After making the request, though, he said, "What do you mean, I read the article already?" Somehow, he managed to get a copy of The Sheaf (through a friend, I think) checked out the piece and liked it, so I felt a little better about that, but I still always wished that I got the whole interview in print.
I'm going to see if I can dig it up, find out how much of it was transcribed and how much work it might be to post it on the blog.
Anyway, the second commentary track is almost done so I'm going to sign off here for the time being, grab some breakfast, take it easy.
Oh, and if you haven't been inspired to go out and check out The New Frontier yet, go do it. I urge you to do so.
Later!
mike
The DVD pictured at right is the new original DC Animated film, Justice League: The New Frontier, based on the comic book of the same name created by uber-talent, Darwyn Cooke. I've been waiting months and months for this puppy to come out. I loved the comic book and when I heard that they were going to make it an animated film, my brain lit up with the possibilities. I will also go out on a limb and admit that part of my motivation for going out and buying the Superman: Doomsday disc when it came out (the first DC original animated movie) was to see the New Frontier preview that was included there as a special feature, so you can maybe see how I'm kind of jazzed about this whole thing.
Fantastic Four #554: When I heard that Bryan Hitch and Mark Millar were taking over the World's Greatest Heroes, I think my reaction resembled a rousing "woo-hoo!" I think the last time I'd been tempted to pick up the FF's monthly book was when Carlos Pacheco was doing the book. Since then, I've resorted to grabbing issues of the Ultimate FF to get my FF fix since nobody else was writing the series in the way it was meant to be done, with the four heroes tackling fantastic cosmic problems, straddling inner and outer space, and behaving like a family, warts and all, throughout their adventures.
Star Wars: Dark Times #5-6: Part of getting back to the LCS was catching up on titles I'd sort of left behind in the middle of a storyline, like Star Wars: Dark Times. Grabbing #5, the end to the "Path to Nowhere" storyline, and #6, the beginning of the "Parallels" story, I was reminded why this was the only Star Wars book that I would not only pick up regularly, but go out of my way to obtain it.
I was surprised to find out about the passing of artist, John Alvin, the other day. Part of the reason for that was just the sheer shock at yet another death in the industry following so closely on that of Roy Scheider and Steve Gerber, but also because I was literally just watching him talking on the Blade Runner Ultimate Edition DVD and he seemed perfectly fine. I guess you can never really see a heart attack coming, but to turn around and hear of his passing was just a little shocking.
Boyle is a filmmaker I've always followed (his 'trilogy' of films with Ewan McGregor, John Hodge and Andrew MacDonald being my faves) so rounding out the collection is feeling pretty good right now. I've never had a copy of Trainspotting and The Beach and Millions are nice additions to the collection. I also picked up 28 Days Later a couple of weeks ago, I think. At this point, with the exception of some of the smaller works they've done, I think Shallow Grave is the only one I've yet to grab (unfortunate seeing as it's one of my all-time faves from Boyle and co.). I'm pretty sure the DVDs I've seen of it are all fullscreen with no features, so I'm in no hurry to grab one of those. If anybody knows of a nice widescreen copy, feel free to let me know where I can grab one.
On the Garland front, I enjoyed The Beach immensely and feel confident that it won't help my opinion of the film, which I didn't enjoy too much the first time, anyway. The Coma I read the same night I finished The Beach and am still sort of trying to unclench my mind. I loved it as a story but its Kafkaesque elements leave your brain a bit twisted at the end. I'm kind of cruising for something new, now. I'm thinking of trying out The Tesseract but I'm not all that interested in South East Asia, so I'm not sure how much I'll like it.
One of the books that I've picked up is Frank Espinosa's Rocketo. If you've never heard about this book, I would seriously reccomend checking it out. It's a great sci-fi adventure story with heroes, monsters, myth, mystery all beautifully packaged in a spiffy trade that is one of the nicest book designs I've seen in a while.
Novel-wise, I took a little break from Chrichton's Next due to lack of plot 250 pages into the story, and picked up Alex Garland's The Beach, again, based on the mad love I have going on for his film, Sunshine. I didn't like the movie too much when I saw it, but his writing style is pretty fluid and Nick Hornby gave him a rave review (and you all should know of my love for Nick) so I figured I'd give it the old college try. I'll probably go back and try to get a bit further along with Next today or tomorrow, but I doubt it'll be too productive.

I also have to admit that looking at the cover, which is a repro of the first issue's cover (which I own and have looked at many times), I never noticed that Supes was sitting on a cloud looking down over Metropolis. For some crazy reason, I thought he was sitting on a mountain somewhere, relaxing for a spell in-between crime-busting and galaxy saving activities. I've always loved the cover by Frank Quitely, but have to say I'm just a bit embarrassed that I never caught that before.
Flash forward to last night when I decided to pop in Simon's TMNT Season 4 DVDs and the episode, "Samurai Tourist".