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Still, I would never go so far as to call myself a fan. I didn't seek out the man's work, nor did I look forwrd to the next Stephen King 'joint', as it were. I never questioned the quality of his writing as I was sure that he remained a proficient author who likely had only improved in the many years since I stopped paying his books any mind. It was simply a matter of my interests waning, and possibly a smattering of literary snobbery as I may have convinced myself that popular thriller/horror novels couldn't possibly have anything to offer.
I should also qualify that my position on King hasn't changed insofar as I'm going to seek out everything of his that I haven't read and gobble it up until I can't stand it anymore. I'm still not compelled to read From a Buick 8 or Hearts in Atlantis or Dreamcatcher or The Long Mile or Rose Madder and countless others.
So, why the heck am I writing this post, you may be asking yourself?
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It seemed interesting. I mean, King doing a western was certainly a change of pace, and a fantasy western at that. Plus, the book was really short and, as anyone who knows me will attest, getting me to read anything that I'm unfamiliar with is always easier if the book is a short one. And, in all fairness, it was interesting but it came at a point when I was moving on to other stuff and I was finding King's work to be a little long-winded and over-descriptive to continue on with it.
It's kind of funny, then, how the comics rekindled my interest in The Dark Tower, which led me to get a copy of The Gunslinger, which had two interesting and well-written forewords to the text in it, which is where I first heard of King's memoir, On Writing, which I then went out and found and read in a couple of sittings.
It was pretty decent timing, too, because I had recently finished reading Nick Hornby's Songbook and I was still in the mood for something non-fiction that was written in the author's voice. I'm trying to get myself back into the habit of writing regularly again (and not just the interviews and articles but proper fiction and screenplays) and I found Hornby's essays to be somewhat motivational. Granted, I was pretty tired of his particular voice after a day or two of Songbook but I still needed something that was a conversational piece.
Enter Stephen King's On Writing.
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The bad side of this is that I'm now feeling like every minute I spend at work is time I could be writing something, but maybe having that obstacle also helps fuel the desire to be doing the work. Absence making the heart grow fonder and all that jazz.
Well, I'm off to go and put something down on the ol' pages.
Later!
mike
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